Symposium for the People’s AME Zion Church, a fundraiser for the “Save 711 E. Fayette”

Saving A Syracuse Jewel: Symposium for the People’s AME Zion Church, A Fundraiser for the “Save 711 E. Fayette”

Almost two years ago I wrote about the need to save the former AME Zion church at 711 Fayette Street in Syracuse.  I am happy to say that my words - and those of others - were heard.   A group of hard working volunteers have organized a sustained effort to research the history of AME Zion churches statewide, but also to save our fine little building.  The group includes historians and activists, and the present-day congregation AME Zion (now in another building), and politicians including my own Assemblyman Sam Roberts.  This project follows directly on the work of historian Judith Wellman and creation by the Preservation association of Central New York of Syracuse's Freedom Trail, inaugurated in 2007.

To kick off serious education and fund-raising for the building there will be an event on Tuesday evening at the Erie Canal Museum.  I'll be part of a panel discussing the past and future of the building, and its history and architecture.  The event is in concert with the exhibition at the Museum about Syracuse's 15th Ward - its history and sad fate under the wrecking balls of the 'urban renewal' of the 1970s.  The 15th Ward was historically the mostly densely inhabited Jewish and African-American neighborhood in the city.

Your invitation to the event (we encourage  - but not require -  that you bring your checkbook to make a donation)

You are cordially invited to attend the Symposium for the People’s AME Zion Church, a fundraiser for the “Save 711 E. Fayette” project and a featured event for the Erie Canal Museum’s 15th Ward Exhibit.

Speakers and panelists include Judith Wellman (Historical New York Research Associates), Rev. Daren Jaime (AME Zion Church), Edward Bogucz (Syracuse Center of Excellence), Beth Crawford (Crawford & Stearns), Joan Bryant (Syracuse University), and Samuel Gruber (Gruber Hertitage Global).  Keynote speakers will discuss the historical significance of the building, and talk about the next steps to “Save 711 E. Fayette.” Attendees are asked to consider contributing to the launch of this important effort. To RSVP, please visit http://save711.eventbrite.co

Holy Trinity Church Named Syracuse Protected Site

Holy Trinity Church Named Syracuse Protected Site

Last week the Syracuse Common Council designated Holy Trinity Church at 501 Park Street as a City of Syracuse Protected Site. The action will help protect the historic and beautiful Gothic-style church from drastic change, though it does not offer full protection - only a good program of appropriate use and adequate funding can do that. Now that the building is protected the real planning for its future can begin - and it will not be easy!

(Holy Trinity church stained Glass. Photos by Samuel D. Gruber
click on any image picture for larger image)

The Preservation Association of Central New York supported the designation of Holy Trinity Church as a Local Protected Site based on its historic, architectural and artistic significance to the city and Central New York. Here is the statement that PACNY presented to the Planning Commission that was also considered by the Common Council. I was happy that I was able to provide the Landmarks Preservation Board with some additional information about the architect and the maker of the glorious stained glass. I've previously posted galleries of photos of the church exterior and interior. Today I'm also including images of the stained glass windows.

The Preservation Association of Central New York supports the designation of Holy Trinity Church as a Local Protected Site based on its historic, architectural and artistic significance to the city and Central New York.

Holy Trinity Church, built from 1905 to 1912, is one of Syracuse’s most impressive Gothic Revival buildings. Designed by Syracuse University trained architect Charles W. Eldridge (1882-1947) and decorated by dozens of large stained glass windows from the studio of Otto F. Andrle (d. 1933) of Buffalo, the two-towered Gothic church is one of Syracuse’s most striking neighborhood landmarks and one of its finest religious spaces.

The closing of the church was announced in December 2009, together with the pending closing of Saint John the Evangelist Church, another great Gothic building that once served as the city’s Catholic Cathedral. Protected Site designation will recognize the inherent qualities in the building and, and in the spirit of the ordinance, it is our hope that designation will help protect these qualities whatever the use to which the building is put in the future. We especially urge the designation of the complete exterior envelope of the church including its exceptional stained glass windows, as well the interior space of the sanctuary with all of its built-in architectural elements (columns, capitals, moldings, etc.).

At the turn of the 20th century, the Northside was home to many German Catholic and Lutheran churches. Many of these were in the Gothic style, a favorite among German-American immigrants beginning in the 1840s. Most are now demolished or transformed to different use. For at least the last half-century the congregation of Holy Trinity has been heavily Italian. More recently, a number of the new parishioners have been Vietnamese Catholics. Whatever the parishioners’ national origins, the great German-Gothic hall style church has been a landmark of architecture, community and faith in the neighborhood. Its tall two-towered façade, augmented by its location on a local highpoint, soars above other buildings in area. It is the most impressive building of any sort in that part of the city.

The interior of the structure is striking. The impressive open space is in the German Gothic tradition in which the considerable height is maintained across all three aisles for the entire width of the church. That also means there are no side galleries, just a choir loft over the entrance narthex (vestibule). The great open space accentuates the light, color and line of the excellent set of narrative stained glass windows by Otto Andrle Studio of Buffalo. They rank among the very best in Central New York. They include many traditional images, but also several unusual window scenes, such as that of the Garden of Eden. The windows are inscribed with passages in German and were mostly donated by members and member societies. (The Syracuse Landmark Preservation Board has a list of all windows subjects and the names of donors).

Otto Francis Andrle was born and educated in Buffalo and was a student of Buffalo artist Lars G. Sellstedt. “Early in his youth, he completed an apprenticeship with Florian Feyl, frescoing, and studied stained glass painting in the studios of Booth and Riester, later the Buffalo Stained Glass works, the pioneer craftsmen of the art in Buffalo. From about 1893 to 1902 he operated his own painting and decorating business, Andrle & Co. at 222-224 Genesee Street in Buffalo. The Teck and Star theaters were among the many Buffalo homes, schools and churches that exhibited his work.” [www.andrle.com/chris/windows2.htm]. Andrle was also an actor, making his professional debut in 1892. He founded the Otto F. Andrle Stained Glass and Art Institute with Jacob J. Diebolt in 1913 after his retirement from the stage.

The church architect was Charles Eldridge (1882-1947), who was born in Canandaigua and received his architectural training at Syracuse University and in the offices of Gordon and Madden and Harry C. Parks. Eldridge opened his own office in 1912 and Holy Trinity must be one of his very first significant commissions. Eldridge went on to become a prominent architect in Rochester and head architect for the Rochester Diocese. He later was an Associate in the firm of Gordon and Kaelber. Among his important works in Rochester are the Columbus Civic Center and its auditorium, the Eastman Theater at the Eastman School of Music, the Rundel Memorial Library, and Corpus Christi Church, Holy Rosary Church, Saint Peter and Paul Church, St. Mary’s Hospital and St. Mary’s Church in Canandaigua. Holy Trinity Church is the only building in Syracuse known to have been designed by Eldridge.

The architect demonstrated his design competence in this early work, aided by first-rate plasterers who carried out all the interior decorative work, including the capitals. The building is probably brick throughout - with the interior covered with plaster roughed and scored and painted to look like ashlar stone blocks. The vaults appear to be plaster, which could be verified by an examination from above in the attic space.

This building is still in very good condition. Two extended visits to the church earlier this year and examination all of the publicly accessible areas, including the tower stairway to the organ loft, revealed a small number of areas visibly in need of repair. There are small areas of deteriorated plaster from water damage in the west tower stairwell. These seemed to be dry, indicating that the source of the damage (which was probably bad drainage off the roof) has been repaired. Also a small area of peeling paint and plaster is visible in the northeast section of the sanctuary. Thus, it is fair to say that this building is not comparable to some other religious structures which suffered from deferred maintenance. The Catholic Diocese and the parish have devotedly maintained this building well for almost a century.

A Must to Save: The Former AME Zion Church

Former AME Zion Church seen from Center of Excellence.
Photo: Samuel Gruber 2010.

Former AME Zion Church. Photo: Samuel Gruber 2010.

A Must to Save: The Former AME Zion Church

Yesterday I was glad to attend the opening of the new Center of Excellence. I'll write more on that in a separate post. But walking down, and then then looking south through the CoE's wall of glass, I couldn't help a feeling of dismay as I passed two of the most significant and most neglected buildings in Syracuse, the Gustav Stickley House on Columbus Avenue and the former AME Zion Church at 711 East Fayette, just a stone's throw from the CoE. Both are small buildings which once had small problems, but neglect has caused more damage and the future of each remains uncertain.

The former AME is, I think, the oldest purpose-built Africa-American church in Syracuse. The modest church building with elegant stained glass windows was (apparently) designed by leading Syracuse architect Charles Colton (who also designed City Hall). This was the successor home to the famous congregation that had been led by famed-abolition leader Jermaine Loguen during the mid-19th century.

I'd appreciate hearing from anyone with information or ideas about saving this important building. Given its prime location and small size it could be used for a variety of educational, exhibition and community purposes.



July Wellman wrote in Uncovering the Freedom Trail in Syracuse and Onondaga County (PACNY, 2002): “The AME Zion Church in Syracuse was the largest African American congregation (and for many years the only one) in Syracuse. It was the single most important community organization for African Americans before the Civil War, and it was one of the most important sources of abolitionist and underground railroad activity in the region. It also represents the central importance of churches for promoting the Freedom Trail.”

The original church was at 14 Chestnut (West side of South Crouse between Washington and Water Streets). The congregation moved to East Fayette in 1911. AMW Zion still owns the building, which has been occupied by other religious congregations. AME Zion is now located at 2306 South Salina Street.

From Syracusthenandnow (http://syracusethenandnow.org/Architects/Colton/Charles_Erastus_Cotton.htm):

“When Charles E. Colton died in 1914, he was hailed as "the most prominent architect in the city at the time." In Syracuse, Colton's best known work is City Hall, built in 1889. Colton was educated in the public schools of Syracuse and was engaged in various enterprises before he entered the architectural office of Archimedes Russell in 1873. Three years later he established his own architectural offices. Between 1880 and 1881 he was in partnership with James H. Kirby. New York State Governor David B. Hill (Gov. 1885-1891) offered Colton the position as State Architect, which he declined because of pressing work. Colton was Treasurer of the Western New York Association of Architects and was elected a Fellow of the American Institute of Architects in 1888.”

Syracuse: Last Mass for Great Gothic Holy Trinity Church

Syracuse: Last Mass for Great Gothic Holy Trinity Church - What Now?

Its not been an easy month for Gothic architecture in Syracuse. In addition to the request by the City Department of Code Enforcement to demolish the Gothic Cottage on South Salina Street, the city witnessed the closing of Holy Trinity (Roman Catholic) Church at 501 Park Street on the North Side. Holy Trinity, built from 1905 to 1912, is one of Syracuse’s most impressive Gothic Revival buildings. The closing of the church was announced in December, together with the pending closing of Saint John the Evangelist Church, another great Gothic building that once served as the city’s Catholic Cathedral. Last Sunday the final mass was celebrated at Holy Trinity. You can read about it here.

Holy Trinity Church interior views. All photos by Samuel D. Gruber 2010

At the turn of the 20th century the Northside as home to many German Catholic and Lutheran churches and many of these were Gothic, a favorite style among German-American immigrants beginning in the 1840s. Most are now demolished or transformed to different use. For at least the last half century the identity of Holy Trinity has been Italian, those more recently new parishioners include Vietnamese Catholics. Whatever their national origins the great German-Gothic hall style church has been a landmark of architecture, community and faith in the neighborhood. Its tall two towered façade, augmented by its siting on a local highpoint, soars above other buildings in the area. It is the most impressive building of any sort in that part of the city.

Its future is unknown. The track record for reuse of Catholic churches is not good. Until recent years the Catholic Church has been loath to close churches, and for many generations replacement populations of new Catholic immigrant groups have made reuse unnecessary. So far, Catholic churches have not been offered for use to other Christian denominations or religions. [n.b This has changed with the sale and reuse of St. Peter's church on James Street -- SDG 10/29/12].

This building, though, is still in very good condition. When I visited a few days before the final mass, the only areas in need of repair that I could see were small patches of deteriorated plaster from water damage in the west tower stairwell, and those seemed to be dry, indicating that the source of the damage (which was probably bad drainage off the roof) has been repaired (n.b my visit was limited to the sanctuary and choir loft). Thus, this closure is not comparable to that South Presbyterian Church where significant repairs were needed, but had been put off for a long time by the small struggling congregation.


Holy Trinity Church exterior views from Park Street. All photos: Samuel D. Gruber 2009Nonetheless, Holy Trinity (or whatever name it will assume) will require considerable maintenance no matter what its future. But no one should be allowed to make the argument that bad condition requires demolition. But as we know from so many similar situations in Syracuse – leaving a building like this empty for even one or two winters can cause great harm – from ice or thieves!

It is not clear that care of the building was really putting a strain on the Diocese now, but looking ahead it was decided that resources would be put to other use. There does not seem to have been any large appeal for help or public fund raising effort. The church has not received – nor to my knowledge ever been nominated – for any public or private grants. According to parishioners, the church was built with contributions without a mortgage, and the title holder was actually a local religious society, not the Diocese, but that does not seem to make a difference in the present situation. Still, a group of parishioners is appealing to the Vatican for reconsideration of the closure and the merging of Holy Trinity with Saint John the Baptist Church located further west on Court Street (that building is an impressive Romanesque Revival structure, built by famed Syracuse architect Horatio Nelson White in 1867, and oldest (?) church in the city in continuous use).

The interior of the structure is quite striking. The big open space is impressive. In the German tradition there are no low side aisles. The considerable height is maintained across all three aisles for the entire width of the church. That means there are no side galleries, just a choir loft open the entrance narthex (vestibule). The great open space accentuates the light, color and line of the excellent set of narrative stained glass windows. These are of German origins – I’m not sure of the studio – but they certainly rank among the very best (that I know) in Central New York. [n.b. These are in German style, but in fact are signed works of Buffalo stained glass virtuoso Otto Andrle and his studio - SDG 10/29/12].  I was particularly taken by a Garden of Eden scene, and there are many other scenes that strike me as unusual. The windows are inscribed with passages and mottos in German. I don’t know if these windows were documented by the Census of American Stained Glass. I suggested to parishioners that no matter the outcome of their appeal, it is essential to document (and protect) these windows. I will try to get some of my art historian and religious studies friends at Syracuse University to participate.

I have not seen early documents and as of this writing I do not know who the architect was – though he was clearly very competent, and he was aided by some first rate plasterers who carried out all the interior decorative work, especially the capitals. The building is probably brick throughout - with the interior covered with plaster roughed and painted and scored to look like ashlar stone blocks. I assume the vaults are a plaster, but it would be good to get up in the attic to take a look at the vaulted ceiling from above.

The original altar - set in a tall and intricate work of Gothic style cabinetry with panel paintings and set against the south wall (end of the main apse) is also tremendously impressive. Given my other (Jewish) studies I was interested in the painting of the so-called Sacrifice of Isaac on the altar, included as a prefiguration of the Crucifixion.