Redfield Monument Sculpture Restored and Returned to Forman Park

Syracuse, NY. Redfield Monument and Forman Park from an old postcard.

Redfield Monument Sculpture Restored and Returned to Forman Park
by Samuel D. Gruber (photos by Samuel D. Gruber 2010)

Some of you may already have read Dick Case's recent column in the Post-Standard and online about the return of the Redfield Monument statues to Forman Park, and event that took place when winter was already upon us and was not otherwise significantly celebrated. The bronze sculpture representing the two figures of Lewis Redstone and Joshua Forman and the single seated figure of an Indian, possibly Hiawatha, were removed in 2007 for restoration by sculptor and restored Sharon BuMann, about whom I have written before. Redfield was an important early newspaper editor in Syracuse and Joshua Forman was a founder of Syracuse. Hiawatha was said to be a founder of the Iroquois Confederacy.


The Indian figure is represented in a dignified seated pose. He is nude, except for a cloth on his lap. One can see his pose as contemplative as he gazes west, or one can read it is passive, as he sits beneath the civilizing influence of Forman and Redfield whose robust clothed figures are set on a higher level and dominate the monument. They would have looked toward downtown Syracuse, though today they see little more than I-81. The architecture of the monument in simple, but accented by a notable Classical (civilized) cornice and pediment directly above the Indian's head. In this way European culture dominates and supersedes Native American traditions. If this is Hiawatha, his presence would be, or could be, a nod to the Iroquois federation as a foundation to American democracy, represented in part by freedom of the press, of which Redfield was Syracuse's outstanding 19th-century exemplar.

Syracuse, NY. Redfield monument by N. C. Hinsdale and Fidardo Landi.

To see more examples of Indians in Syracuse sculpture see my earlier blogpost.
Last year BuMann completed the restoration of the Kirkpatrick Monument in Washington Square Park, that also featured figures of local Indians.


The monument of Westerly blue granite was designed by architect N. C. Hinsdale was donated in 1906 by Mrs. W.H.H. Smith, the daughter of Redfield. The sculptures by an Italian artist Fidardo Landi (1866-1918) were unveiled in 1908. Mrs. Smith died the following year. A photograph of the work’s first model (which I have not seen) apparently shows an entirely different Indian figure sitting next to a standing Civil War soldier at the base. The Bronze was cast by Fonderia G. Vignali, and .Leland & Hall Company was the project contractor. 

Forman Park was first established in 1839 and was known as Forman Square. Redfield, a pioneer printer, was one of those who owned property adjacent to the park. Redfield and others donated land the comprised the park which at Redfield's suggestion was named Forman Park.

According to a biography of Redfield published in New York state men: biographic studies and character portraits, Volume 2, by Frederick Simon Hills (Argus Company, 1910), Redfield was:

"one of the pioneer newspaper men of Onondaga County, was born at Farmington. Conn., November 26. 1792, son of Pelig Redfield, a soldier in the army of General Washington. He learned the printer's trade with James D. Bemis, publisher of the Ontario, N. Y., "Repository." and after six years with Mr. Bemis he engaged in business for himself at Onondaga Valley, wl1ere. with the assistance of his former employer, he established the " Onondaga Register." Mr. Redfield was an active advocate of the then proposed Erie Canal, and when a change was made in its route favorable to Syracuse he removed to that place. His paper was consolidated with the Syracuse "Gazette," which had been established by John Durnfield in 1823. For the accommodation of the printing plant he erected a commodious building on the site of the first Onondaga Savmgs Bank building, and here for some years he also conducted a book store. Mr. Redfield retired from active business in 1842. He married Ann Maria, daughter of Thomas Tread well, member of the Continental Congress and of the first State Senate. Mr. Redfield died July 14, 1882."

Landi was born in Carrara, Italy and according to his New York Times obituary, by the age of twenty was already a professor of sculpture at the academy of Fine Art in Carrara (he also married the daughter of the school's Dean, who also served as mayor of Carrara). Landi came to America in 1900 and in addition to the Redfield Monument he created to sculpture fountain groups for the Guggenheim villa and many individual works before dying of pneumonia at age 51.

I am looking for information on N.C. Hinsdale. Please let me know if you know anything.

Sharon BuMann to Receive PACNY's Harley McKee Techincal Award

Sharon BuMann to Receive PACNY's Harley McKee Technical Award

Local artist and sculpture conservator Sharon BuMann is scheduled to receive PACNY's Harley McKee Technical Award at the upcoming awards ceremony on Thursday, May 6th (7 pm at Barnes Mansion, 930 James Street), in recognition of her skill at bronze sculpture restoration and the contribution she has made to our community. Coincidentally Dick Case writes about Sharon in today's Post Standard with the good news that the Redfield Monument will soon be returned - fully restored - to Foreman Park. You can read Dick's story here:

http://blog.syracuse.com/opinion/2010/04/forman_park_gets_renovation_th.html

Last summer the North Side celebrated the restoration of the Kirkpatrick Monument/LeMoyne Fountain in Washington Square. You can read about that and see pictures at:

http://mycentralnewyork.blogspot.com/2009/07/my-cny-public-art-dedication-of.html

Here is some more information about Sharon and her work:

Sharon BuMann

Sharon BuMann began her career as a professional sculptor in 1977. She holds an Associates Degree in Graphic Arts, a BFA in Sculpture, post graduate credits from Lyme Academy and University of Hartford, Connecticut. BuMann's current works include traditional fine art sculpture, bronze monuments, architectural collaborations, and butter sculptures. Her creations range in scale from miniature to monumental. She is perhaps best known as the sculptor of the Jerry Rescue Monument in Clinton Square, Syracuse.

In the past decade, Sharon has expanded BuMann Sculpture Studios to include TRS (Technical Restoration Service) dedicated to the restoration of existing bronzes, especially a number of works of public sculpture in Central New York. Engaged by then Syracuse Parks Commissioner Otis Jennings in 2001 to care for many of the city's long neglected monuments, and supported by Jennings successor Commissioner Patrick Driscoll, Sharon embarked on a continuing program now a decade old to maintain and restore the many exemplary bronze statues that adorn the city. Among those restored are the Goethe and Schiller Monument, the Gustavus Sniper Monument, the Hamilton White Monument and most recently the Kirkpatrick Monument in Washington Square. All of these superb works of art of a century ago have been returned to the public in their original beauty and glory.

Technical Restoration is a melding of art and industry. For many public monuments, years of neglect and abuse by pigeons and people alike, have left these sculptures in a prolonged state of decay.Sharon prides herself in researching each monument, the goal is always to bring back the original aesthetic qualities of a sculpture, and to halt the agents of corrosion and decay while laying the stage for simple a long-term maintenance plan to foster greater appreciation by the citizenry, uphold the community's investment both culturally and financially, reduce costs of later upkeep, and preserve priceless, and often one-of-a-kind, works of public art.

According to Sharon, “every bronze has a unique situation and condition. I find educating the general public and civic officials to the need for regular care and attention to area history is very important and necessary.” For her accomplishment in art, craft, technical skill and public advocacy we present Sharon BuMann with the 2010 Harley McKee Technical Award.

My CNY Public Art: Dedication of Restored Kirkpatrick Monument (Lemoyne Fountain) at Washington Square

Dedication of Restored Kirkpatrick Monument (Lemoyne Fountain) at Washington Square
by Samuel D. Gruber

(all photos by Samuel D. Gruber)



Yesterday evening I had the pleasure of attending a ceremony to re-dedicate the Kirkpatrick Monument in Washington Square, on Syracuse's Northside. The monument is also known as the LeMoyne Fountain, but the original water element, which was divided to serve people and horses, has not been replaced in the restoration.

Scenes from the Re-dedication of the Kirkpatrick Monument, July 2, 2009. All photos: Samuel D. Gruber

The monument, designed by husband and wife team of Harvey Wiley Corbett (1871-1954) and Gail Sherman Corbett (1872-1951), was first installed 101 years ago. It was cast by the Gorham Foundry of Providence, Rhode Island. The restoration has been carried out by Sharon BuMann, herself a local sculptor of note, the creator of the Jerry Rescue Monument at Clinton Square.

The monument speaks as a work of art, but it also remains - and has been re-empowered - as a "talking statue," in the tradition of Rome's Pasquino. But the characters on the Kirkpatrick Monument say different things - depending on who is interpreting their story.


Gail Sherman Corbett, the sculptor of the monument, was a native of Syracuse, who grew up (according to columnist Dick Case) at 1312 Park St. Her parents were Frederick Coe and Emma Jane (Ostrander) Sherman. She studied sculpture with Augustus Saint-Gaudens at the Art Students League in New York later studied at the Ecole des Beaux-Arts in Paris (1898-99), where her painting was influenced by the Impressionists. She married Harvey Wiley Corbett in 1905 and the two lived in New York, where they were well known and highly successful in the arts world.

Gail was also a painter and ceramicist, and exhibited at the Art Institute of Chicago, the National Academy of Design, the National Association Women Artists-Exhibit, the National Sculpture Society, the Panama Pacific Exhibition of 1915 (where she exhibited a model of the Kirkpatrick monument as well as a sundial), and the Pennsylvania Academy of the Fine Arts.

The Corbetts had previously designed the Hamilton White Memorial in Fayette Park (now Firefighters Park), dedicated in 1905. That monument, also restored by Sharon BuMann, is one of Syracuse's finest pieces of public art. At the time of their work in Syracuse they were still young artists in their 30s, just getting established and building reputations.

The Corbetts were active in the artistic education of women, and in 1908 - the same year as the creation of the Kirkpatrick Monument, Harvey Corbett designed the for Ellen Dunlap Hopkins New York School of Applied Arts for Women a remarkable building (at 30th and Lexington in New York), where he taught. The striking building which recalls classical structures but is imbued with a strong modernist aesthetic, was one of Corbett's first independent commissions, and it brought him criticism from traditionalists, but praise from some quarters. Significantly, he designed a new studio for his wife in their Chelsea house about the same time. In both school and studio he inserted casts of the Parthenon frieze. Perhaps he thought that Athena, the wise virgin goddess to whom the frieze is dedicated was a good inspiration for women in the arts. Harvey Corbett went on to be one of the world's leading designers of skyscrapers and helped define the setback skyscraper style of the 1920s. He worked with Raymond Hood on Rockefeller Center, and Wallace Harrison was his student and got his start in Corbett's firm.

Much less is known of Gail Sherman Corbett's career. Like many women of her generation, her professional opportunities were limited. She is known to have contributed sculpture to some of her husband's other projects, such as the City Hall in Springfield, Massachusetts (for which she sculpted the main door). But the entire arc of her career needs to be researched.

The restored Kirkpatrick monument will now be among her best known works - until more are identified. The monument consists of a tall bronze drum set upon a granite base. The entire surface of the drum is sculpted in high relief. There a lengthy inscription, and then as series of interacting figures representing the purported events of August 16, 1654, when the local Onondaga people introduced Jesuit Missionary Pere Simon LeMoyne to the local salt spring. The relief depicts LeMoyne, his companion Jean Baptiste, the Iroquois leader Garakontie, and an unnamed Onondaga man and woman.


The salt industry later became a major cause of the establishment and expansion of the the village of Salina, and later the city of Syracuse. This scene was chosen for the monument as a fitting memorial to Dr. William Kirkpatrick, who had been superintendent fo the Syracuse Salt Works, by his son, also William Kirkpatrick. At the time of its erection, representatives of the Onondaga Nation were not invited to participate in the ceremony. The monument and its scene was largely understood as a lesson of the successful replacement of Indian culture with American Christianity. Still, Kirkpatrick left funds in his will for two other monuments in tribute to the Onondaga, neither extant. So apparently Kirkpatrick did see the connection between the Onondaga of the past of the city's (then) prosperity.


In a brochure produced by the Onondaga Nation "to truly honor the Onondaga Nation by grounding the history depicted on the Washington Square Park Monument in the broader history of the time" it is written that "If it is accepted that Father LeMoyne discovered the salt springs, one might say that he is, in an historical sense, responsible as the initiator of the whole chain of events for the future exploitation and usurpation of the Onondaga land." The brochure's authors also write that "The mansions of the salt barons around the park, The City of Syracuse and the Erie Canal were all built from the profits from Onondaga Lake's salt. In the 1890s, the availability of salt attracted Solvay Process. Its industrial plants along Onondaga lake are responsible for the toxic pollution of the Lake that still exists today."

At yesterday's celebration, however, the talk was more about cultural cooperation and environmentalism, and Oren Lyons, the Faithkeeper of the Turtle Clan of the Onondaga Nation, was a featured speaker.

Syracuse, NY. Monument to Hamilton White in Fayette Park (now Firefighters Park).
Gail Sherman Corbett, sculptor and Harvey Wiley Corbett, architect, 1905.
Photo: Samuel D. Gruber 2008.