Camillus, NY. St. Luke's Episcopal Church (1957). Photo: Samuel D. Gruber 2014)
by Samuel D. Gruber
Usually driving down a strip in Central New York in the inner or outer suburbs, and along some of the old entrance routes to Syracuse, one drives by rows of boxes. Closest to the city center are a few decorated Art Deco boxes and some small post-World War II brick retail and service stores simple and functional in their design. On older streets (like James Street in Syracuse), are more delicate, often see-through modernist boxes, where they replaced mansions torn down in the 1960s and 70s., and to these we can add some fast food outlets that still draw on post-war modernism for inspiration. Lastly, and so common now, are the rows of big bulky boxes with nothing to look at all to catch the eye - so uninteresting in their design inside or out - that their bigness and boxiness has given them their name of "big box stores".
Well, I had a pleasant break from this the other day heading to Camillus, when I drove by in quick succession two striking buildings that seem to have escaped from the box - and delight in offering alternate geometry. The sanctuary of St. Luke's Episcopal Church at 5402 West Genesee St., designed by Crenshaw & Folley and built in 1957, has a tall thin profile with steeply slanting sides, like someone cut it a like a piece of pie from a larger building. The architecture seemed perfectly appropriate for the adjacent sign proclaiming "Allealuia, Christ is Risen," for indeed this building with its tall cross inscribed on the window wall facing the street seems to have arisen itself, sprung up for Easter beside the busy road. Inside, the narrow sanctuary space soars, but the wood lined space is warmly intimate. The is one of the most expressive modern religious buildings in the Syracuse area. And for those who know my interest in plastics in architecture, there is the added fact that St. Luke's interior wood is Rilco laminated wood from the Weyerhaeuser Co., bonded with "structural glues stronger than wood itself" (plastics).
Camillus, NY. St. Luke's Episcopal Church (1957). Photo: Samuel D. Gruber 2014)
Camillus, NY. Wilcox Octagon House (1856). Photo: Samuel D. Gruber 2014)
Camillus, NY. Wilcox Octagon House (1856), National Register plaque. Photo: Samuel D. Gruber 2014)
Camillus, NY. Wilcox Octagon House. First floor plan from Wilcox House website: http://www.octagonhouseofcamillus.org/
Fowler promoted the octagon
house as cheaper to build, and with more
living space and natural light.
He maintained that because of the geometry it was easier to heat, and
that it remained cooler in the summer.
Fowler believed that a circle is the most efficient shape, but would be
difficult to build and awkward to furnish, so an octagon was a sensible
approximation. The octagon house is
remarkable, however, not just for its design, but because it referred to an
entire philosophy of living quite different from the societal norm represented
by the dominant Greek Revival and Italianate houses of the period. To a certain
extent, builders of the octagon houses
accepted a less formal domestic arrangement, and this often mirrored their
other social and political views.
Another octagon house is the Henry E. Pierce house on Bear Street, near Washington Square, in Syracuse.
Other Octagon houses in New York include these:
The Armour-Stiner Octagon House
http://www.josephpelllombardi.com/5homes/octagon.html
The Rich-Twinn Octagon House
http://www.buffaloah.com/a/NEWST/main/145/
http://www.buffaloah.com/a/NEWST/main/145/
Further reading:
[includes
photo and caption of St. Luke's Episcopal Church,
Camillus]
Church construction with rilco laminated wood (Weyerhaeuser Co. 1961)
[includes
photo and caption of St. Luke's Episcopal Church,
Camillus]
https://archive.org/details/WeyerhaeuserCoChurchConstructionwithRilcoLaminated0001
Fowler, Orson S., The
Octagon House, (New York: Dover Publications, Inc., first edition 1848 (1853 edition reprinted in 1973)